COMPOSITING

As the Supervising Compositor it was my responsibility to oversee a team of 7-8 people working on cinematic looks and various comps in After Effects over the course of several months. Our typical workflow was there would be a master comp ‘look’ for a scene that I would develop and design in session(s) with Brendon and/or with approval from him and the dept heads and then that master comp would be proliferated or expanded on by the team throughout the many similar shots. We would often iterate these looks and post our latest versions online on a giant bulletin board so Brendon & art/animation dept heads Arthur, Mike, and Travis could deliver notes.

Watch this video to see the ‘Before’ (the files from BG/layout/animation) and ‘After’ (the composited shots) to see just how much work we put into every single one of these images.